Miyar: ‘Chorten’ – a Buddhist monument, often marking the way into a village, newly painted.

Miyar: ‘Chorten’ – a Buddhist monument, often marking the way into a village, newly painted.

Offerings and prayers cut into stone placed at the base of the ‘chorten’.

Offerings and prayers cut into stone placed at the base of the ‘chorten’.

Offerings and prayers cut into stone placed at the base of the ‘chorten’, men carrying a large stone.

Offerings and prayers cut into stone placed at the base of the ‘chorten’, men carrying a large stone.

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.

All of these are taken from colour transparencies. They are of ceremony around Hadimba temple in at the old mela ground in Dhungri forest. A romantic setting, so colourful on all colour with the dark and mysterious forest. At this time we were living at Duff Dunbar above the temple. The ceremonies would last for several days. It usually began in the evening with an arresting drum beat and trumpet calls, that I found irresistible. The meeting of the ‘deotas’ and the ‘rath’ could sometimes be tempestuous. As the day wore on the dancing became more vigorous and would often last into the night. The man who had removed his top is xxx of becoming a ‘gaur’ oracle of the ‘devi’. The man behind him is ready to support him if the ‘devi’ so possesses him that he cannot stand.

‘Doetoas’’ ‘raths’ being carried from the Hadimba to the mela ground.